Recently read the infamous Stephen King's On Writing - which was an easy but informative read. He manages to make writing look so easy! Here's some quotes in a section on adverbs: The adverb is not your friend. p117 (haha)
I can be a good sport about adverbs, though. Yes I can. With one exception [use] only in the rarest and most special of circumstances.p119.
Some writers try to evade the no adverb rule by shooting the attribution word full of steroids. p120.
Haha. This cracked me up :) So true. Here's some examples Stephen included:
Haha. This cracked me up :) So true. Here's some examples Stephen included:
"Put the gun down" Jekyll grated.
"Never stop kissing me!" Shayna gasped.
Shayna, you go girl!
Shayna, you go girl!
Don't do these things. Please oh please. p120.
...while to write adverbs is human, to write he said or she said is divine. p122.
Love this book :)
Sometimes, though, I love adverbs.
They really can make a sentence that much more funny, or add foreshadowing or just give a sentence a unique rhythm and flavour. In my own work, I weigh up every adverb I use and see if it is really adding to the sentence/atmosphere or if it's amateur and cluttering the writing.
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| Shiny new UK cover :) also known as The Year of Secret Assignments |
Here' a scene from Finding Cassie Crazy (The Year of Secret Assignments). Lydia is documenting a convo between her parents at the breakfast table in a letter to Seb (I love Seb, too).
Mum: (sweetly) Take it easy on the butter there, honey. You've already forgotten the results of your latest cholesterol test, haven't you?
Dad: This is low-fat margarine, as a matter of a fact.
Mum: (surprisingly) Up yours, as a matter of a fact.
I love the sweetly. I adore the surprisingly. I love how that one adverb can set the tone of the entire scene. I love how the surprisingly is in Lydia's narration (her response to what her mum said), and we are left to imagine the exact tone her mother uses. And I'm totally hearing the tone :)
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| US hardcover of Dreaming of Amelia Oooh! Gothic! |
'I began to hyperventilate, quietly.'
Haha. I love Emily. She narrates with exclamation marks! Sometimes even in multiples!!! And adverbs! And drama! Adverbs totally work for Emily b/c she's an adverb kinda girl, and Jaclyn uses this to add humour and authenticity to the character. I love how the quietly is tacked on at the end, as if to somehow dignify the statement. I can't imagine Emily would do anything quietly, lol, but I admire her for being an unreliable narrator that way.
And, because I can, another snippet from Emily - she is writing an HSC exam paper: a personal memoir with Gothic undertones (!)
'There is a deep foreboding within me,' I said, (or words like that, not exactly that), 'that my new shampoo doesn't actually bring out the honey highlights in my hair like it says it does!'
Lydia shook her head at me slowly, cryptically.
It could be that she meant: 'No, Em, don't worry. I see plenty of honey highlights.'
But I doubt it.
(pg 6)
Back to back adverbs! And I love it. Love Em and Lyd :)
And, because I can, another snippet from Emily - she is writing an HSC exam paper: a personal memoir with Gothic undertones (!)
'There is a deep foreboding within me,' I said, (or words like that, not exactly that), 'that my new shampoo doesn't actually bring out the honey highlights in my hair like it says it does!'
Lydia shook her head at me slowly, cryptically.
It could be that she meant: 'No, Em, don't worry. I see plenty of honey highlights.'
But I doubt it.
(pg 6)
Back to back adverbs! And I love it. Love Em and Lyd :)
What about you? Are you an adverb user? Do you secretly love adverbs? Do you kill them off? Do you notice them when you read? Do you love all things Jaclyn Moriarty?
